FDA-D.1010-2014
Parts
FDA-D.1010-2014
Identification
Santa Marta in the Vatican
Parrocel
Parrocel
assigned by cataloguer
collection
collection
See Collection Record FDA-D.970-2014
41
Description
Rome
View of Casa Santa Marta
height (actual size): 268mm
width (actual size): 413mm
width (actual size): 413mm
Inscribed in ink '41' in upper right corner
Inscribed in ink in another hand 'Veduta del Vaticano da Santa Marta', and in another hand 'no. due (crossed out)'
Inscribed in ink in another hand 'Veduta del Vaticano da Santa Marta', and in another hand 'no. due (crossed out)'
Black-and-white chalk on buff paper, mounted on sheets with a double grey wash border
Watermark of a saint kneeling in a cartouche, and watermark 'J Whatman'
Watermark of a saint kneeling in a cartouche, and watermark 'J Whatman'
Production
Parrocel, Etienne, 1696 - 1775 (Artist)
Before 1740
History and association
Baddeley, Welbore St. Clair, 1856 - 1945: Bequested to Eton College in 1945
Hare, Augustus: Possibly owned by Augustus Hare, Rome
Peachey, John (2nd Baron Selsey), 1749 - 1816: J. Peachey purchased the drawings from W. Locke after his return from the Grand Tour in 1777
Locke, William: W. Locke purchased the drawings in Rome in 1750
Hare, Augustus: Possibly owned by Augustus Hare, Rome
Peachey, John (2nd Baron Selsey), 1749 - 1816: J. Peachey purchased the drawings from W. Locke after his return from the Grand Tour in 1777
Locke, William: W. Locke purchased the drawings in Rome in 1750
• Ingamells, J., A Dictionary of British and Irish Travellers in Italy 1701-1800, New Haven and London, 1997 (p. 750)
• Quarrie, P., Treasures of Eton College Library: 550 years of collecting, exhibition catalogue, Pierpont Morgan Library, New York, 1990 (pp.110-111)
• Connor, L., A Set of Chalk Vedute by Etienne Parrocel, Eton Collections Review no.3, pp.50-55
• Quarrie, P., Treasures of Eton College Library: 550 years of collecting, exhibition catalogue, Pierpont Morgan Library, New York, 1990 (pp.110-111)
• Connor, L., A Set of Chalk Vedute by Etienne Parrocel, Eton Collections Review no.3, pp.50-55