FDA-D.1139-2015
Parts
FDA-D.1139-2015
Identification
Villa Celimontana
Parrocel
Parrocel
assigned by cataloguer
collection
collection
See Collection Record FDA-D.970-2014
40
Description
Rome
View of the gardens of Villa Celimontana (formerly Villa Mattei)
height (actual size): 268mm
width (actual size): 409mm
width (actual size): 409mm
Inscribed in ink 'no ventinuove'
Numbered in ink in another hand lower right corner on paper mount '40'
Inscribed in pencil on paper mount in another hand 'Villa Mattei M> Celio'
Numbered in ink in another hand lower right corner on paper mount '40'
Inscribed in pencil on paper mount in another hand 'Villa Mattei M> Celio'
Black-and-white chalk on buff paper, mounted on a sheet with a double grey and brown wash border
Watermark 'J Whatman'
Watermark 'J Whatman'
Production
Parrocel, Etienne, 1696 - 1775 (Artist)
Before 1740
History and association
Baddeley, Welbore St. Clair, 1856 - 1945: Bequested to Eton College in 1945
Hare, Augustus: Possibly owned by Augustus Hare, Rome
Peachey, John (2nd Baron Selsey), 1749 - 1816: J. Peachey purchased the drawings from W. Locke after his return from the Grand Tour in 1777
Locke, William: W. Locke purchased the drawings in Rome in 1750
Hare, Augustus: Possibly owned by Augustus Hare, Rome
Peachey, John (2nd Baron Selsey), 1749 - 1816: J. Peachey purchased the drawings from W. Locke after his return from the Grand Tour in 1777
Locke, William: W. Locke purchased the drawings in Rome in 1750
• Ingamells, J., A Dictionary of British and Irish Travellers in Italy 1701-1800, New Haven and London, 1997 (p. 750)
• Quarrie, P., Treasures of Eton College Library: 550 years of collecting, exhibition catalogue, Pierpont Morgan Library, New York, 1990 (pp.110-111)
• Connor, L., A Set of Chalk Vedute by Etienne Parrocel, Eton Collections Review no.3, pp.50-55
• Quarrie, P., Treasures of Eton College Library: 550 years of collecting, exhibition catalogue, Pierpont Morgan Library, New York, 1990 (pp.110-111)
• Connor, L., A Set of Chalk Vedute by Etienne Parrocel, Eton Collections Review no.3, pp.50-55