FDA-D.1147-2015
Parts
FDA-D.1147-2015
Identification
Roman Campagna
Parrocel
Parrocel
assigned by cataloguer
collection
collection
See Collection Record FDA-D.970-2014
48
Description
Rome
View of trees in the Roman Campagna
Light sketch of buildings beneath the drawing of trees
Light sketch of buildings beneath the drawing of trees
height (actual size): 266mm
width (actual size): 414mm
width (actual size): 414mm
Inscribed in ink 'no otto'
Numbered in ink in another hand lower right corner on paper mount '48'
Numbered in ink in another hand lower right corner on paper mount '48'
Black-and-white chalk on buff paper, mounted on a sheet with a double grey wash border
Watermark of a saint in a cartouche and watermark 'J Whatman'
Watermark of a saint in a cartouche and watermark 'J Whatman'
Production
Parrocel, Etienne, 1696 - 1775 (Artist)
Before 1740
History and association
Baddeley, Welbore St. Clair, 1856 - 1945: Bequested to Eton College in 1945
Hare, Augustus: Possibly owned by Augustus Hare, Rome
Peachey, John (2nd Baron Selsey), 1749 - 1816: J. Peachey purchased the drawings from W. Locke after his return from the Grand Tour in 1777
Locke, William: W. Locke purchased the drawings in Rome in 1750
Hare, Augustus: Possibly owned by Augustus Hare, Rome
Peachey, John (2nd Baron Selsey), 1749 - 1816: J. Peachey purchased the drawings from W. Locke after his return from the Grand Tour in 1777
Locke, William: W. Locke purchased the drawings in Rome in 1750
• Ingamells, J., A Dictionary of British and Irish Travellers in Italy 1701-1800, New Haven and London, 1997 (p. 750)
• Quarrie, P., Treasures of Eton College Library: 550 years of collecting, exhibition catalogue, Pierpont Morgan Library, New York, 1990 (pp.110-111)
• Connor, L., A Set of Chalk Vedute by Etienne Parrocel, Eton Collections Review no.3, pp.50-55
• Quarrie, P., Treasures of Eton College Library: 550 years of collecting, exhibition catalogue, Pierpont Morgan Library, New York, 1990 (pp.110-111)
• Connor, L., A Set of Chalk Vedute by Etienne Parrocel, Eton Collections Review no.3, pp.50-55