FDA-D.976-2014
Parts
FDA-D.976-2014
Identification
Veduta a Porta Angelica
Parrocel
Parrocel
assigned by artist
collection
collection
See Collection Record FDA-D.970-2014
7
Description
Rome
View of the Porta Angelica
height (actual size): 268mm
width (actual size): 414mm
width (actual size): 414mm
Inscribed in ink within the image 'Veduta a Porta Angelica'
Numbered in ink lower right hand corner of wash border '7'
Inscribed in ink in another hand 'no Ventiquatro'
Inscribed in pencil in another hand on paper mount 'Nr. Porta Angelica'
Numbered in ink lower right hand corner of wash border '7'
Inscribed in ink in another hand 'no Ventiquatro'
Inscribed in pencil in another hand on paper mount 'Nr. Porta Angelica'
Black-and-white chalk on buff paper, mounted on a sheet with a double grey wash border
Production
Parrocel, Etienne, 1696 - 1775 (Artist)
Before 1740
History and association
Baddeley, Welbore St. Clair, 1856 - 1945: Bequested to Eton College in 1945
Hare, Augustus: Possibly owned by Augustus Hare, Rome
Peachey, John (2nd Baron Selsey), 1749 - 1816: J. Peachey purchased the drawings from W. Locke after his return from the Grand Tour in 1777
Locke, William: W. Locke purchased the drawings in Rome in 1750
Hare, Augustus: Possibly owned by Augustus Hare, Rome
Peachey, John (2nd Baron Selsey), 1749 - 1816: J. Peachey purchased the drawings from W. Locke after his return from the Grand Tour in 1777
Locke, William: W. Locke purchased the drawings in Rome in 1750
• Ingamells, J., A Dictionary of British and Irish Travellers in Italy 1701-1800, New Haven and London, 1997 (p. 750)
• Quarrie, P., Treasures of Eton College Library: 550 years of collecting, exhibition catalogue, Pierpont Morgan Library, New York, 1990 (pp.110-111)
• Connor, L., A Set of Chalk Vedute by Etienne Parrocel, Eton Collections Review no.3, pp.50-55
• Quarrie, P., Treasures of Eton College Library: 550 years of collecting, exhibition catalogue, Pierpont Morgan Library, New York, 1990 (pp.110-111)
• Connor, L., A Set of Chalk Vedute by Etienne Parrocel, Eton Collections Review no.3, pp.50-55