FDA-D.981:1-2014
Parts
FDA-D.981:1-2014
Identification
Porta San Paolo
Parrocel
Parrocel
assigned by cataloguer
collection
collection
See Collection Record FDA-D.970-2014
12
Description
Rome
View of the Porta San Paolo, mounted together with another view with the Pyramid of Caius Cestius
height (actual size): 271mm
width (actual size): 245mm
width (actual size): 245mm
Inscribed in ink '12' in upper right corner
Inscribed in ink in another hand 'No trenta sÿ (crossed out)'
Inscribed in ink in another hand 'Porta San Paolo'
Inscribed in ink in another hand 'No trenta sÿ (crossed out)'
Inscribed in ink in another hand 'Porta San Paolo'
Black-and-white chalk on buff paper, mounted on sheets with a double grey wash border
Kneeling saint in a cartouche watermark
Kneeling saint in a cartouche watermark
Production
Parrocel, Etienne, 1696 - 1775 (Artist)
Before 1740
History and association
Baddeley, Welbore St. Clair, 1856 - 1945: Bequested to Eton College in 1945
Hare, Augustus: Possibly owned by Augustus Hare, Rome
Peachey, John (2nd Baron Selsey), 1749 - 1816: J. Peachey purchased the drawings from W. Locke after his return from the Grand Tour in 1777
Locke, William: W. Locke purchased the drawings in Rome in 1750
Hare, Augustus: Possibly owned by Augustus Hare, Rome
Peachey, John (2nd Baron Selsey), 1749 - 1816: J. Peachey purchased the drawings from W. Locke after his return from the Grand Tour in 1777
Locke, William: W. Locke purchased the drawings in Rome in 1750
• Ingamells, J., A Dictionary of British and Irish Travellers in Italy 1701-1800, New Haven and London, 1997 (p. 750)
• Quarrie, P., Treasures of Eton College Library: 550 years of collecting, exhibition catalogue, Pierpont Morgan Library, New York, 1990 (pp.110-111)
• Connor, L., A Set of Chalk Vedute by Etienne Parrocel, Eton Collections Review no.3, pp.50-55
• Quarrie, P., Treasures of Eton College Library: 550 years of collecting, exhibition catalogue, Pierpont Morgan Library, New York, 1990 (pp.110-111)
• Connor, L., A Set of Chalk Vedute by Etienne Parrocel, Eton Collections Review no.3, pp.50-55