FDA-P.93-2010
Parts
Object number
FDA-P.93-2010
Object type
Identification
Title
Arthur Henry Hallam
Title Type
assigned by cataloguer
Description
Half-length painted portrait of a young man
Comments
In this room, we are surrounded by Leaving Portraits from the early 19th century. Eton Leaving Portraits are portraits of (Old) Etonians, painted to mark their time at the College. There are some 280 in the College Collections. The earliest is attributed to Thomas Hudson (1701–1779) and was painted in 1754. The most recent are by photographic artist Tereza Červeňová and were made in 2024.
The tradition evolved from the earlier custom of boys presenting Leaving Money to the Head Master as they left the College. Edward Barnard was the first Head Master to request a Leaving Portrait in addition to the money. Barnard continued to honour one or two boys with the privilege of presenting their portrait each year. The works were given directly to Head Masters, who later presented their collections to the College. Some Head Masters became Provosts and so displays of portraits moved into the Provost’s Lodge.
This is the collection of portraits of boys requested by Dr Keate (after whom Keate House and Keate’s Lane are named).
Hallam's contemporaries at school included Gladstone, George Augustus Selwyn, who became first Bishop of New Zealand, and the writer Alexander Kinglake.
In 1850 Tennyson was to publish 'In Memoriam', a poem at least partly inspired by his friend's death: My Arthur, whom I shall not see Till all my widowed race be run; Dear as the mother to the son, More than my brothers are to me.
The tradition evolved from the earlier custom of boys presenting Leaving Money to the Head Master as they left the College. Edward Barnard was the first Head Master to request a Leaving Portrait in addition to the money. Barnard continued to honour one or two boys with the privilege of presenting their portrait each year. The works were given directly to Head Masters, who later presented their collections to the College. Some Head Masters became Provosts and so displays of portraits moved into the Provost’s Lodge.
This is the collection of portraits of boys requested by Dr Keate (after whom Keate House and Keate’s Lane are named).
Hallam's contemporaries at school included Gladstone, George Augustus Selwyn, who became first Bishop of New Zealand, and the writer Alexander Kinglake.
In 1850 Tennyson was to publish 'In Memoriam', a poem at least partly inspired by his friend's death: My Arthur, whom I shall not see Till all my widowed race be run; Dear as the mother to the son, More than my brothers are to me.
Description
Content (person)
Hallam, Arthur Henry, 1811 - 1833 (Sitter)
Content (note)
Half-length, in a green coat and a cream waistcoat, by a red draped curtain
Dimensions
height (sight size): 745mm
width (sight size): 620mm
width (sight size): 620mm
Materials & techniques note
Oil on canvas
Physical description
Elaborate carved gilt frame
Production
Person
Date
c.1830
History and association
Object history note
Provenance: Commissioned by the sitter or his family; by whom presented to the Head Master at Eton College
Exhibited: 'British Empire Exhibition' Wembley Park, London, 23 April to 1 November 1924 and from 9 May to 31 October 1925; Royal Academy, London, 1844, catalogue number 314; Dulwich, catalogue number 31
Exhibited: 'British Empire Exhibition' Wembley Park, London, 23 April to 1 November 1924 and from 9 May to 31 October 1925; Royal Academy, London, 1844, catalogue number 314; Dulwich, catalogue number 31
References
• Cust, L., Eton College Portraits, 1910 (p.41, no.122, Plate XXXVII)
• Dulwich Picture Gallery, Leaving Portraits from Eton College, exhibition catalogue 1991 (p.44)
• Dulwich Picture Gallery, Leaving Portraits from Eton College, exhibition catalogue 1991 (p.44)
