MS 921 04 20
MS 921 04 20
Malcolm Arnold archive: Printed and facsimile scores: Arrangements of Malcolm Arnold's music by other composers
File
1958-2006
4 boxes containing 61 scores
65 printed/facsimile scores:
Beauty Haunts the Woods, for voice and piano (1938), arranged for voice, clarinet and piano by Paul Harris, printed, Queen’s Temple Publications (2002) and one loose sheet
Burlesque for horn and orchestra (1944) [title given in 2006 to the first movement of an abandoned Horn Concerto], full score, edited by Philip Lane, Novello (2004)
English Dances for orchestra Op. 27 (1950) and Op. 33 (1951) – five of the dances, arranged for flute [or clarinet, oboe or violin] and piano, by Paul Harris, Faber Music, (2004), 2 copies
English Dances Set 1 Op. 27 (1950) arranged for piano duet by Franz Reizenstein, Alfred Lengnick (1958)
English Dances [Set 1] Op. 27 (1950), arranged for band by Maurice Johnstone (1965), score and parts, Lengnick (1965)
English Dances [Set 1] Op. 27 (1950), arranged for band by Maurice Johnstone (1965), parts for horn, trombone, piccolo, clarinet – loose, unbound, Lengnick (1965)
Sonatina for Clarinet and Piano Op. 29 (1951), arranged for Wind Band by Rodney Parker, printed, parts, Lengnick (2000)
Sonatina for Clarinet Op. 29a (1951), arranged for Wind Band by Rodney Parker, large size printed score, loose sheets, with annotations in red ink (2000)
Concertino for Clarinet and Strings Op. 29a (1951), arranged by Roger Steptoe, photocopy of manuscript score, [1990]
English Dances [Set 2] Op. 33 (1951), arranged for piano duet by Franz Reizenstein, Lengnick, 2 copies
English Dances [Set 2] Op. 33 (1951), full score, arranged for concert band by Nigel Herbert (1980), Lengnick, with loose copies
The Sound Barrier- Rhapsody for orchestra Op.38 (1952) arranged for wind band by Martin Ellerby, Paterson/ Novello (1995), 2 copies
[Eight Children's Piano Pieces] (1952) Op. 36: arranged for orchestra by Denis Bloodworth as The Children’s Suite, large photocopy of manuscript score, n.d. [1995]
Sonatina for Recorder and Piano Op. 41a (1953), arranged by Philip Lane as Concertino for Recorder and Strings, (2000), Novello
Flourish for a birthday Op. 44 (1953), arranged for wind band by Michael Mc Dermott, printed, with parts, Studio Music (2000)
Overture: Tam O’Shanter Op. 51 (1955), arranged for brass band by Howard Snell, printed, Novello (2001)
Four Scottish Dances Op. 59 (1957) arranged for piano solo by John York, printed, Novello (2003), 2 copies
Four Scottish Dances Op. 59 (1957) arranged for violin and piano by David Gedge, printed, Novello (2004)
HRH Duke of Cambridge March Op. 60a (1957), arrange for orchestra by Philip Lane, full score, printed, special order edition, Novello (2000)
HRH The Duke of Cambridge March Op. 60a (1957) arranged for orchestra by Philip Lane, printed, bound, Novello (2000)
Concert Piece for Percussion and Piano (1958), arranged by James Blades, printed – with inscription: ‘To Anthony with love from Malcolm, Wymondham June 5/85’, Faber (1985)
Attleborough Suite Op. 78b [a title given to Little Suite No. 2 for Orchestra (1961)], arranged for Wind Band by Denis Bloodworth, Novello (2000), with a photograph of a ?doll-maker at the back of 1 copy, 2 copies
Little Suite No. 4 Op. 80a [a title given to the Little Suite No.1 for brass band (1963)], arranged for orchestra by Philip Lane, Novello (1999)
Little Suite No. 4 Op. 80a (1963), arranged for orchestra by Philip Lane, Novello (1999)
Five Pieces for Violin and String Orchestra Op. 84a (1965), arranged by Philip Lane, printed, Novello (2005)
Five pieces for Violin and String Orchestra Op. 84a (1965), arranged by Philip Lane, full score, Novello (2005)
Four Cornish Dances for orchestra Op. 91, transcribed for two pianos by David Nettle and Richard Markham (2006), printed, photocopy in plastic slide binding
Little Suite No.5 Op. 93a (1967), [a title given to the Little Suite No. 2 for brass band, arranged for large orchestra by Philip Lane (2000), full score, perusal copy, Novello (2000)
Little Suite No. 5 Op. 93a (1967), arranged for large orchestra by Philip Lane, full score, Novello (2000)
The Padstow Lifeboat March Op. 94 (1967) arranged for brass ensemble by Alan Civil, bound photocopy of manuscript score (1984)
The Padstow Lifeboat March for brass band Op. 94a (1967), arranged for orchestra by Philip Lane, full score, Novello (2000)
Sonata for Strings, arrangement of String Quartet No. 2 Op. 118 (1975) arranged for string orchestra by David Matthews (2005), printed, Faber (2006), 2 copies
Cello concerto Op. 136 (1989) revised version by David Ellis, Novello (2000/2001), 2 copies
Theme & Variations: Fantasy for Recorder and String Quartet Op. 140a (1990), arranged by Giles Easterbrook for recorder and string orchestra (as Theme and Variations: Fantasy for Recorder and Strings), printed copy of manuscript, Novello (1991), 2 copies
Theme and Variations /Fantasy for recorder and strings Op. 140a (1990) – for Michala Petri, arranged for string orchestra by Giles Easterbrook, printed copy of manuscript, unsigned, Novello (1991)
Concerto for Alto Saxophone and string orchestra, arranged by David Ellis (1994 & 2005) from the Piano Sonata (1942), Goodmusic (2005) 3 copies
Fantasy for flute and clarinet (1960), printed, Queen’s Temple Publications (2003) arranged by Paul Harris
Solitaire for flute and piano from 'Theme for Players'(1965) arranged by Paul Harris, printed, Queen’s Temple Publications (2003)
Peterloo Overture (1967), arranged for concert band by Charles Sayre, printed Schirmer (1989)
Parasol – a musical for television(1960), photocopy of reconstructed autograph score by Kenneth Hytch in 1987 for a concert performance, under the guidance of the composer, signed Kenneth Hytch ‘29-10-86’ and inscribed, ‘With many thanks to Ian and Janine on their Anniversary August 7/86, love from Malcolm Arnold'
Feature film scores:
Holly & the Ivy (Fantasy on Christmas Carols) (1952) arranged by Christopher Palmer – derived from I 1952 film – The Holly & the Ivy; II Christmas Round-up (TV documentary); III Carol arrangements contribution to Save the Children Fund in 1960, photocopy of manuscript score, special order edition, Novello (1991)
The Holly & the Ivy (Fantasy on Christmas Carols (1952), arranged by Christopher Palmer, copy of manuscript score; large size, red comb binding, Novello, [n.d.]
Ballade for Piano and Orchestra from the film Stolen Face (1952), arranged by Philip Lane, printed, bound, Novello (1999)
Scherzetto for Clarinet and Orchestra, from the film You Know What Sailors Are (1953), arranged by Christopher Palmer, transposed score, photocopy of manuscript score, n.d. folded A3 loose pages and another spiral bound copy
‘Postcard from the Med’ – from The Captain’s Paradise (1953), arranged by Philip Lane, printed, perusal score, Novello (2002)
‘Postcard from the Med’ from The Captain’s Paradise (1953), arranged by Philip Lane, full score Novello (2002)
‘Postcard from the Med’, suite from The Captain’s Paradise (1953) reconstructed, arranged and orchestrated by Philip Lane, printed score, with covering letters from Peter Lawson to Anthony Day, 10 February and 28 February 2000
Hobson’s Choice – Orchestral suite (1953) – arranged by Christopher Palmer, unsigned copy of manuscript score, Novello (1992)
Hobson’s Choice (1953) – orchestral suite – arranged by Christopher Palmer, large size, unsigned copy of manuscript score, Novello (1992)
‘Lola’s Theme’ from Trapeze (1956) reconstructed and arranged by Philip Lane, printed copy of score (2002)
Suite from Trapeze (1956), arranged and reconstructed by Philip Lane, full score Novello (2002)
Digital setting of score of Trapeze Suite with covering letter from Peter Lawson to Anthony Day, 4.5.[20]00
Printed revisions to Trapeze Suite by Peter Lawson, with covering letter from Peter Lawson to Anthony Day 2/8/2000
The Bridge on the River Kwai (1957) – suite for large Orchestra – arranged by Christopher Palmer – dedicated to Malcolm Arnold on his 70th birthday – with esteem and affection, Novello (1991)
The Bridge on the River Kwai (1991) - Christopher Palmer’s arrangement, full score, large size photocopy of manuscript score taped together, with annotations, inscribed, ‘To Malcolm, from Christopher, 21-10-91’
The Bridge on the River Kwai (1991) - Christopher Palmer’s arrangement, large size facsimile of manuscript score, full score, with inscription, ‘To Malcolm, from Christopher, 21-10-91, – Novello, [n.d.]
Theme from Inn of the Sixth Happiness (1958) arranged by Edrich Siebert, printed score, Feldman (1958)
Inn of the Sixth Happiness (1958), arranged by Christopher Palmer, large size photocopy of manuscript score, Feldman/Novello, (1992)
Suite from No Love for Johnnie (1960), from The Captain’s Paradise, full score, arranged and reconstructed by Philip Lane, Novello (2002)
No Love for Johnnie (1960) Suite from The Captain’s Paradise, reconstructed and orchestrated by Philip Lane, printed score
No Love for Johnnie Suite from The Captain’s Paradise (1953), reconstructed, arranged and orchestrated by Philip Lane, printed score, with covering letters from Peter Lawson to Anthony Day, 10 February and 28 February 2000
Whistle Down the Wind, small suite for small Orchestra (1961), arranged by Christopher Palmer, copy of manuscript score, Novello (1991)
Whistle Down the Wind (1961) suite for small orchestra – arranged by Christopher Palmer, printed, large size photocopy of manuscript score, Novello (1991)
The Belles of St. Trinian's – Comedy Suite – exploits for orchestra, arranged by Christopher Palmer, ed. Philip Lane (1998), photocopy of manuscript score, perusal score, Novello (1999)
Suite from David Copperfield (1969) arranged by Philip Lane, full score, special order edition, Novello (2002)
David Copperfield Suite (1969), loose printed copy of score, arranged by Philip Lane (1970)
Beauty Haunts the Woods, for voice and piano (1938), arranged for voice, clarinet and piano by Paul Harris, printed, Queen’s Temple Publications (2002) and one loose sheet
Burlesque for horn and orchestra (1944) [title given in 2006 to the first movement of an abandoned Horn Concerto], full score, edited by Philip Lane, Novello (2004)
English Dances for orchestra Op. 27 (1950) and Op. 33 (1951) – five of the dances, arranged for flute [or clarinet, oboe or violin] and piano, by Paul Harris, Faber Music, (2004), 2 copies
English Dances Set 1 Op. 27 (1950) arranged for piano duet by Franz Reizenstein, Alfred Lengnick (1958)
English Dances [Set 1] Op. 27 (1950), arranged for band by Maurice Johnstone (1965), score and parts, Lengnick (1965)
English Dances [Set 1] Op. 27 (1950), arranged for band by Maurice Johnstone (1965), parts for horn, trombone, piccolo, clarinet – loose, unbound, Lengnick (1965)
Sonatina for Clarinet and Piano Op. 29 (1951), arranged for Wind Band by Rodney Parker, printed, parts, Lengnick (2000)
Sonatina for Clarinet Op. 29a (1951), arranged for Wind Band by Rodney Parker, large size printed score, loose sheets, with annotations in red ink (2000)
Concertino for Clarinet and Strings Op. 29a (1951), arranged by Roger Steptoe, photocopy of manuscript score, [1990]
English Dances [Set 2] Op. 33 (1951), arranged for piano duet by Franz Reizenstein, Lengnick, 2 copies
English Dances [Set 2] Op. 33 (1951), full score, arranged for concert band by Nigel Herbert (1980), Lengnick, with loose copies
The Sound Barrier- Rhapsody for orchestra Op.38 (1952) arranged for wind band by Martin Ellerby, Paterson/ Novello (1995), 2 copies
[Eight Children's Piano Pieces] (1952) Op. 36: arranged for orchestra by Denis Bloodworth as The Children’s Suite, large photocopy of manuscript score, n.d. [1995]
Sonatina for Recorder and Piano Op. 41a (1953), arranged by Philip Lane as Concertino for Recorder and Strings, (2000), Novello
Flourish for a birthday Op. 44 (1953), arranged for wind band by Michael Mc Dermott, printed, with parts, Studio Music (2000)
Overture: Tam O’Shanter Op. 51 (1955), arranged for brass band by Howard Snell, printed, Novello (2001)
Four Scottish Dances Op. 59 (1957) arranged for piano solo by John York, printed, Novello (2003), 2 copies
Four Scottish Dances Op. 59 (1957) arranged for violin and piano by David Gedge, printed, Novello (2004)
HRH Duke of Cambridge March Op. 60a (1957), arrange for orchestra by Philip Lane, full score, printed, special order edition, Novello (2000)
HRH The Duke of Cambridge March Op. 60a (1957) arranged for orchestra by Philip Lane, printed, bound, Novello (2000)
Concert Piece for Percussion and Piano (1958), arranged by James Blades, printed – with inscription: ‘To Anthony with love from Malcolm, Wymondham June 5/85’, Faber (1985)
Attleborough Suite Op. 78b [a title given to Little Suite No. 2 for Orchestra (1961)], arranged for Wind Band by Denis Bloodworth, Novello (2000), with a photograph of a ?doll-maker at the back of 1 copy, 2 copies
Little Suite No. 4 Op. 80a [a title given to the Little Suite No.1 for brass band (1963)], arranged for orchestra by Philip Lane, Novello (1999)
Little Suite No. 4 Op. 80a (1963), arranged for orchestra by Philip Lane, Novello (1999)
Five Pieces for Violin and String Orchestra Op. 84a (1965), arranged by Philip Lane, printed, Novello (2005)
Five pieces for Violin and String Orchestra Op. 84a (1965), arranged by Philip Lane, full score, Novello (2005)
Four Cornish Dances for orchestra Op. 91, transcribed for two pianos by David Nettle and Richard Markham (2006), printed, photocopy in plastic slide binding
Little Suite No.5 Op. 93a (1967), [a title given to the Little Suite No. 2 for brass band, arranged for large orchestra by Philip Lane (2000), full score, perusal copy, Novello (2000)
Little Suite No. 5 Op. 93a (1967), arranged for large orchestra by Philip Lane, full score, Novello (2000)
The Padstow Lifeboat March Op. 94 (1967) arranged for brass ensemble by Alan Civil, bound photocopy of manuscript score (1984)
The Padstow Lifeboat March for brass band Op. 94a (1967), arranged for orchestra by Philip Lane, full score, Novello (2000)
Sonata for Strings, arrangement of String Quartet No. 2 Op. 118 (1975) arranged for string orchestra by David Matthews (2005), printed, Faber (2006), 2 copies
Cello concerto Op. 136 (1989) revised version by David Ellis, Novello (2000/2001), 2 copies
Theme & Variations: Fantasy for Recorder and String Quartet Op. 140a (1990), arranged by Giles Easterbrook for recorder and string orchestra (as Theme and Variations: Fantasy for Recorder and Strings), printed copy of manuscript, Novello (1991), 2 copies
Theme and Variations /Fantasy for recorder and strings Op. 140a (1990) – for Michala Petri, arranged for string orchestra by Giles Easterbrook, printed copy of manuscript, unsigned, Novello (1991)
Concerto for Alto Saxophone and string orchestra, arranged by David Ellis (1994 & 2005) from the Piano Sonata (1942), Goodmusic (2005) 3 copies
Fantasy for flute and clarinet (1960), printed, Queen’s Temple Publications (2003) arranged by Paul Harris
Solitaire for flute and piano from 'Theme for Players'(1965) arranged by Paul Harris, printed, Queen’s Temple Publications (2003)
Peterloo Overture (1967), arranged for concert band by Charles Sayre, printed Schirmer (1989)
Parasol – a musical for television(1960), photocopy of reconstructed autograph score by Kenneth Hytch in 1987 for a concert performance, under the guidance of the composer, signed Kenneth Hytch ‘29-10-86’ and inscribed, ‘With many thanks to Ian and Janine on their Anniversary August 7/86, love from Malcolm Arnold'
Feature film scores:
Holly & the Ivy (Fantasy on Christmas Carols) (1952) arranged by Christopher Palmer – derived from I 1952 film – The Holly & the Ivy; II Christmas Round-up (TV documentary); III Carol arrangements contribution to Save the Children Fund in 1960, photocopy of manuscript score, special order edition, Novello (1991)
The Holly & the Ivy (Fantasy on Christmas Carols (1952), arranged by Christopher Palmer, copy of manuscript score; large size, red comb binding, Novello, [n.d.]
Ballade for Piano and Orchestra from the film Stolen Face (1952), arranged by Philip Lane, printed, bound, Novello (1999)
Scherzetto for Clarinet and Orchestra, from the film You Know What Sailors Are (1953), arranged by Christopher Palmer, transposed score, photocopy of manuscript score, n.d. folded A3 loose pages and another spiral bound copy
‘Postcard from the Med’ – from The Captain’s Paradise (1953), arranged by Philip Lane, printed, perusal score, Novello (2002)
‘Postcard from the Med’ from The Captain’s Paradise (1953), arranged by Philip Lane, full score Novello (2002)
‘Postcard from the Med’, suite from The Captain’s Paradise (1953) reconstructed, arranged and orchestrated by Philip Lane, printed score, with covering letters from Peter Lawson to Anthony Day, 10 February and 28 February 2000
Hobson’s Choice – Orchestral suite (1953) – arranged by Christopher Palmer, unsigned copy of manuscript score, Novello (1992)
Hobson’s Choice (1953) – orchestral suite – arranged by Christopher Palmer, large size, unsigned copy of manuscript score, Novello (1992)
‘Lola’s Theme’ from Trapeze (1956) reconstructed and arranged by Philip Lane, printed copy of score (2002)
Suite from Trapeze (1956), arranged and reconstructed by Philip Lane, full score Novello (2002)
Digital setting of score of Trapeze Suite with covering letter from Peter Lawson to Anthony Day, 4.5.[20]00
Printed revisions to Trapeze Suite by Peter Lawson, with covering letter from Peter Lawson to Anthony Day 2/8/2000
The Bridge on the River Kwai (1957) – suite for large Orchestra – arranged by Christopher Palmer – dedicated to Malcolm Arnold on his 70th birthday – with esteem and affection, Novello (1991)
The Bridge on the River Kwai (1991) - Christopher Palmer’s arrangement, full score, large size photocopy of manuscript score taped together, with annotations, inscribed, ‘To Malcolm, from Christopher, 21-10-91’
The Bridge on the River Kwai (1991) - Christopher Palmer’s arrangement, large size facsimile of manuscript score, full score, with inscription, ‘To Malcolm, from Christopher, 21-10-91, – Novello, [n.d.]
Theme from Inn of the Sixth Happiness (1958) arranged by Edrich Siebert, printed score, Feldman (1958)
Inn of the Sixth Happiness (1958), arranged by Christopher Palmer, large size photocopy of manuscript score, Feldman/Novello, (1992)
Suite from No Love for Johnnie (1960), from The Captain’s Paradise, full score, arranged and reconstructed by Philip Lane, Novello (2002)
No Love for Johnnie (1960) Suite from The Captain’s Paradise, reconstructed and orchestrated by Philip Lane, printed score
No Love for Johnnie Suite from The Captain’s Paradise (1953), reconstructed, arranged and orchestrated by Philip Lane, printed score, with covering letters from Peter Lawson to Anthony Day, 10 February and 28 February 2000
Whistle Down the Wind, small suite for small Orchestra (1961), arranged by Christopher Palmer, copy of manuscript score, Novello (1991)
Whistle Down the Wind (1961) suite for small orchestra – arranged by Christopher Palmer, printed, large size photocopy of manuscript score, Novello (1991)
The Belles of St. Trinian's – Comedy Suite – exploits for orchestra, arranged by Christopher Palmer, ed. Philip Lane (1998), photocopy of manuscript score, perusal score, Novello (1999)
Suite from David Copperfield (1969) arranged by Philip Lane, full score, special order edition, Novello (2002)
David Copperfield Suite (1969), loose printed copy of score, arranged by Philip Lane (1970)
Concertino for Clarinet and Strings Op. 29a (1951), arranged by Roger Steptoe, photocopy of manuscript score, [1990] contains rust residue from treasury tags in punch-holes.
The Padstow Lifeboat, Op. 94 (1967) arranged by Alan Civil, bound photocopy of manuscript score, is in a battered condition.
The Padstow Lifeboat, Op. 94 (1967) arranged by Alan Civil, bound photocopy of manuscript score, is in a battered condition.
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