MS 933 05 03
Reference code
MS 933 05 03
Title
Alan Poulton Malcolm Arnold collection: Printed/facsimile scores: Concertos
Level
File
Date
1944-2007
Extent & medium
44 scores
Content description
45 printed/facsimile scores
01. Early Horn Concerto (1944), later published as ‘Burlesque for horn and orchestra’, two large sized photocopies of manuscript and a photocopy of last two pages of the manuscript in landscape format, unsigned, n.d.
02/01. Concerto [No. 1] for Horn and Orchestra Op. 11 (June 1945) - for Charles Gregory, card and board bound cyclostyled copy of manuscript score, unsigned, dated ‘London, June 9/1945’, fragile binding
02/02. 2nd movement from Concerto for Horn and Orchestra Op. 11, arranged for horn and piano, printed, Lengnick, (1947) – fragile
02/03. Concerto No. 1 for Horn and Orchestra Op. 11 (1945) - for Charles Gregory, horn and piano reduction, printed, Lengnick (1992)
03. Concertino for flute and strings Op. 19a (2000) - for Richard Adeney, printed, spiral bound, Lengnick (2000)
04/01. Concerto for Clarinet and Strings Op. 20 (1948), arranged for clarinet and piano, manuscript copy, unsigned, undated, board and canvas binding – fragile, Lengnick Hire library
04/02. Concerto for Clarinet and Strings Op. 20, (1948) - to Frederick Thurston, printed, Lengnick (1952)
04/03. Concerto for Clarinet and Strings Op. 20, (1948), to Frederick Thurston, solo B flat clarinet part, printed [no cover], Lengnick (1952)
05/01. Concerto for piano duet and string orchestra Op. 32 (1951), for Helen Pyke and Paul Hamburger, printed facsimile of manuscript score, unsigned, dated ‘London May 15/51’, spiral bound, Lengnick Hire Library
05/02. Concerto for piano duet and strings Op. 32 (1951), piano duet part, printed, Lengnick, (1951)
06/01. Concerto for Oboe and string orchestra Op. 39 (Aug - 1952) for Léon Goossens, printed, special order edition, study score, Paterson’s (1952)
06/02. Concerto for Oboe and string orchestra Op. 39 (1952) – arrangement for oboe and piano - to Léon Goossens, printed, Paterson’s (1957)
07/01. Concerto No. 1 for flute and strings Op. 45 (1954) – to Richard Adeney, printed, spiral-bound perusal score, Paterson’s/Novello (1954)
07/02. Concerto No. 1 for flute and strings Op. 45 (1954) - to Richard Adeney, printed, perusal score, Novello (1954)
07/03. Concerto [No. 1] for flute and strings Op. 45 (1954) arrangement for piano, printed facsimile of manuscript, Paterson’s/Novello (1954)
08/01. Concerto for Harmonica and orchestra Op. 46 (1954) - to Larry Adler, printed miniature, Paterson’s (1954), signed by Malcolm Arnold and Larry Adler, with newspaper cuttings and programme notes pasted in, inscribed on front cover, ‘Catharine Scudamore’
08/02. Concerto for Harmonica and orchestra Op. 46 (1954) - to Larry Adler, printed Paterson’s/Novello, spiral bound (1954)
09. Concerto for Organ and Orchestra Op. 47 (1954), printed facsimile copy of manuscript score, unsigned, dated ‘October 1954’, spiral bound, Paterson’s (1992)
10/01. Serenade [for guitar and strings] Op. 50 (1955), printed facsimile of manuscript score unsigned, dated ‘February 1955’, spiral bound, perusal score, Paterson/Novello (1977)
10/02. Serenade for guitar and strings Op. 50 (1955), arranged for guitar and piano - dedicated to Julian Bream, perusal score, printed, Paterson’s (1977)
11/01. Horn Concerto No. 2 Op. 58 (1956), for horn and strings - dedicated to Dennis Brain, wire bound, colour photocopy of manuscript score, signed, dated ‘December 15/1956’, Paterson’s stamp (n.d.)
11/02. Horn Concerto No. 2 Op. 58 (1956), large size photocopy of manuscript score, signed, ‘December 15/1956’, with markings in red pen
11/03. Horn Concerto No. 2 Op. 58 (1956), for horn and strings, to Dennis Brain, spiral bound, photocopy of manuscript score, signed, dated ‘December 15/1956’, Novello (n.d.), with some photocopies of alternative manuscript score pages
11/04. Horn Concerto No. 2 Op. 58 (1956), with Piano reduction by Julian Elloway printed, Paterson/Novello (1988)
11/05. Horn Concerto No. 2 Op. 58 (1956), tenor horn part, printed, Paterson’s (1988)
12/01. Guitar Concerto Op. 67 (1959), photocopy of manuscript score, full score, Paterson/Novello (1961)
12/02. Guitar Concerto Op. 67 (1959), arranged for guitar and piano (1959), printed, Paterson’s (1988)
12/03. Guitar Concerto Op. 67 (1959), printed, study score, Novello, (2007)
13. Grand Concerto Gastronomique for eater, waiter, food and large orchestra Op. 76 (1961), large size photocopy of manuscript score, signed, dated ‘November 1st/61’
14. Concerto for two pianos (3 hands) and orchestra Op. 104 (1969) – for Phyllis [Sellick] and Cyril [Smith] with affection and admiration full score, printed, Faber (1990)
15/01. Concerto for viola and chamber orchestra Op. 108 (1971) – for Roger Best and the Northern Sinfonia, full score, printed, Faber Music (1992)
15/02. Concerto for viola and chamber orchestra Op. 108 (1971) – for Roger Best and the Northern Sinfonia, piano reduction and viola part, printed, Faber Music (1980)
16/01. Flute Concerto No. 2 Op. 111 (1973), for Richard Adeney, large size, printed facsimile copy of manuscript score, signed, ‘Dublin December 8/72’, Faber (1973)
16/02. Flute Concerto No. 2 Op. 111 (1973), flute and piano reduction– for Richard Adeney, printed, (Faber 1978)
17/01. Clarinet Concerto No. 2 Op. 115 (1974) - for Benny Goodman with admiration and affection, full score, printed, Faber (1984)
17/02. Clarinet Concerto No. 2 Op. 115 (1974) - for Benny Goodman with admiration and affection, piano reduction and clarinet part, printed, Faber Music (1981)
18. Philharmonic Concerto for orchestra Op. 120 (1976), full score, printed, Faber (1985)
19/01. Concerto for Trumpet and Orchestra Op. 125 (1982), photocopy of manuscript score, signed, ‘Northampton January 21/82’
19/02. Trumpet Concerto Op. 125 (1982) – for trumpet and piano, full score, with inscription, ‘With all good wishes, from Malcolm’, printed, Faber (1982)
19/03. Trumpet Concerto Op. 125 (1982) – for trumpet and piano, printed, Faber (1983)
20/01. Concerto for recorder and orchestra Op. 133 (1988) - for Michala Petri, full score, large size, wire-bound photocopy of printed manuscript score, Faber (1992)
20/02. Concerto for recorder and orchestra Op. 133 (1988), printed Faber (1992)
21/01. Concerto for cello and orchestra (‘Shakespearean’) Op. 136 (1988) – dedicated to Julian Lloyd-Webber, large size spiral bound photocopy of manuscript score, signed, Attleborough Norfolk, 1988’, Novello perusal score (1989)
21/02. Cello Concerto Op. 136 (1989) – to Julian Lloyd-Webber, revised by David Ellis in collaboration with Sir Malcolm Arnold (2000), printed, perusal score, Novello (2001)
22. Violin Concerto Op. 140 (1988-1989), photocopy of manuscript sketches, unsigned, n.d.
01. Early Horn Concerto (1944), later published as ‘Burlesque for horn and orchestra’, two large sized photocopies of manuscript and a photocopy of last two pages of the manuscript in landscape format, unsigned, n.d.
02/01. Concerto [No. 1] for Horn and Orchestra Op. 11 (June 1945) - for Charles Gregory, card and board bound cyclostyled copy of manuscript score, unsigned, dated ‘London, June 9/1945’, fragile binding
02/02. 2nd movement from Concerto for Horn and Orchestra Op. 11, arranged for horn and piano, printed, Lengnick, (1947) – fragile
02/03. Concerto No. 1 for Horn and Orchestra Op. 11 (1945) - for Charles Gregory, horn and piano reduction, printed, Lengnick (1992)
03. Concertino for flute and strings Op. 19a (2000) - for Richard Adeney, printed, spiral bound, Lengnick (2000)
04/01. Concerto for Clarinet and Strings Op. 20 (1948), arranged for clarinet and piano, manuscript copy, unsigned, undated, board and canvas binding – fragile, Lengnick Hire library
04/02. Concerto for Clarinet and Strings Op. 20, (1948) - to Frederick Thurston, printed, Lengnick (1952)
04/03. Concerto for Clarinet and Strings Op. 20, (1948), to Frederick Thurston, solo B flat clarinet part, printed [no cover], Lengnick (1952)
05/01. Concerto for piano duet and string orchestra Op. 32 (1951), for Helen Pyke and Paul Hamburger, printed facsimile of manuscript score, unsigned, dated ‘London May 15/51’, spiral bound, Lengnick Hire Library
05/02. Concerto for piano duet and strings Op. 32 (1951), piano duet part, printed, Lengnick, (1951)
06/01. Concerto for Oboe and string orchestra Op. 39 (Aug - 1952) for Léon Goossens, printed, special order edition, study score, Paterson’s (1952)
06/02. Concerto for Oboe and string orchestra Op. 39 (1952) – arrangement for oboe and piano - to Léon Goossens, printed, Paterson’s (1957)
07/01. Concerto No. 1 for flute and strings Op. 45 (1954) – to Richard Adeney, printed, spiral-bound perusal score, Paterson’s/Novello (1954)
07/02. Concerto No. 1 for flute and strings Op. 45 (1954) - to Richard Adeney, printed, perusal score, Novello (1954)
07/03. Concerto [No. 1] for flute and strings Op. 45 (1954) arrangement for piano, printed facsimile of manuscript, Paterson’s/Novello (1954)
08/01. Concerto for Harmonica and orchestra Op. 46 (1954) - to Larry Adler, printed miniature, Paterson’s (1954), signed by Malcolm Arnold and Larry Adler, with newspaper cuttings and programme notes pasted in, inscribed on front cover, ‘Catharine Scudamore’
08/02. Concerto for Harmonica and orchestra Op. 46 (1954) - to Larry Adler, printed Paterson’s/Novello, spiral bound (1954)
09. Concerto for Organ and Orchestra Op. 47 (1954), printed facsimile copy of manuscript score, unsigned, dated ‘October 1954’, spiral bound, Paterson’s (1992)
10/01. Serenade [for guitar and strings] Op. 50 (1955), printed facsimile of manuscript score unsigned, dated ‘February 1955’, spiral bound, perusal score, Paterson/Novello (1977)
10/02. Serenade for guitar and strings Op. 50 (1955), arranged for guitar and piano - dedicated to Julian Bream, perusal score, printed, Paterson’s (1977)
11/01. Horn Concerto No. 2 Op. 58 (1956), for horn and strings - dedicated to Dennis Brain, wire bound, colour photocopy of manuscript score, signed, dated ‘December 15/1956’, Paterson’s stamp (n.d.)
11/02. Horn Concerto No. 2 Op. 58 (1956), large size photocopy of manuscript score, signed, ‘December 15/1956’, with markings in red pen
11/03. Horn Concerto No. 2 Op. 58 (1956), for horn and strings, to Dennis Brain, spiral bound, photocopy of manuscript score, signed, dated ‘December 15/1956’, Novello (n.d.), with some photocopies of alternative manuscript score pages
11/04. Horn Concerto No. 2 Op. 58 (1956), with Piano reduction by Julian Elloway printed, Paterson/Novello (1988)
11/05. Horn Concerto No. 2 Op. 58 (1956), tenor horn part, printed, Paterson’s (1988)
12/01. Guitar Concerto Op. 67 (1959), photocopy of manuscript score, full score, Paterson/Novello (1961)
12/02. Guitar Concerto Op. 67 (1959), arranged for guitar and piano (1959), printed, Paterson’s (1988)
12/03. Guitar Concerto Op. 67 (1959), printed, study score, Novello, (2007)
13. Grand Concerto Gastronomique for eater, waiter, food and large orchestra Op. 76 (1961), large size photocopy of manuscript score, signed, dated ‘November 1st/61’
14. Concerto for two pianos (3 hands) and orchestra Op. 104 (1969) – for Phyllis [Sellick] and Cyril [Smith] with affection and admiration full score, printed, Faber (1990)
15/01. Concerto for viola and chamber orchestra Op. 108 (1971) – for Roger Best and the Northern Sinfonia, full score, printed, Faber Music (1992)
15/02. Concerto for viola and chamber orchestra Op. 108 (1971) – for Roger Best and the Northern Sinfonia, piano reduction and viola part, printed, Faber Music (1980)
16/01. Flute Concerto No. 2 Op. 111 (1973), for Richard Adeney, large size, printed facsimile copy of manuscript score, signed, ‘Dublin December 8/72’, Faber (1973)
16/02. Flute Concerto No. 2 Op. 111 (1973), flute and piano reduction– for Richard Adeney, printed, (Faber 1978)
17/01. Clarinet Concerto No. 2 Op. 115 (1974) - for Benny Goodman with admiration and affection, full score, printed, Faber (1984)
17/02. Clarinet Concerto No. 2 Op. 115 (1974) - for Benny Goodman with admiration and affection, piano reduction and clarinet part, printed, Faber Music (1981)
18. Philharmonic Concerto for orchestra Op. 120 (1976), full score, printed, Faber (1985)
19/01. Concerto for Trumpet and Orchestra Op. 125 (1982), photocopy of manuscript score, signed, ‘Northampton January 21/82’
19/02. Trumpet Concerto Op. 125 (1982) – for trumpet and piano, full score, with inscription, ‘With all good wishes, from Malcolm’, printed, Faber (1982)
19/03. Trumpet Concerto Op. 125 (1982) – for trumpet and piano, printed, Faber (1983)
20/01. Concerto for recorder and orchestra Op. 133 (1988) - for Michala Petri, full score, large size, wire-bound photocopy of printed manuscript score, Faber (1992)
20/02. Concerto for recorder and orchestra Op. 133 (1988), printed Faber (1992)
21/01. Concerto for cello and orchestra (‘Shakespearean’) Op. 136 (1988) – dedicated to Julian Lloyd-Webber, large size spiral bound photocopy of manuscript score, signed, Attleborough Norfolk, 1988’, Novello perusal score (1989)
21/02. Cello Concerto Op. 136 (1989) – to Julian Lloyd-Webber, revised by David Ellis in collaboration with Sir Malcolm Arnold (2000), printed, perusal score, Novello (2001)
22. Violin Concerto Op. 140 (1988-1989), photocopy of manuscript sketches, unsigned, n.d.
Physical characteristics
MS 933/05/03/02/01 has a fragile binding
Location of this record in the archive hierarchy
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- William Johnson Cory (Additional papers), MS 309, (1826-1892)
- Arthur Murray Goodhart collection, MS 334, (1890-1932)
- Green Armytage - John Martin Harvey collection, MS 336, (1889 - 1970)
- Frederic Kenyon: Browning papers, MS 340, (1897-1913)
- Hilary Philip Chadwyck-Healey archive, MS 417, (c.1930 - c. 1970)
- Winifred Mary (Mollie) Matthews papers, MS 427, (1938-1989)
- Susan Hill archive, MS 428, (1957-2002)
- Maurice Baring collection, MS 429, (1894-1982)
- Anne Thackeray Ritchie collection, MS 430, (1847-[2000])
- Wilfred P. Thesiger archive, MS 433, (1895-2004)
- Anthony Powell archive, MS 434, (1905-2000)
- John Carter archive, MS 435, (1905-1975)
- Second World War papers of John Henderson, principally relating to Field Marshal B.L Montgomery, MS 436, (1939-1998)
- David Horner archive (Osbert Sitwell material), MS 437, (20th century)
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- Papers of Duncombe F. B. Buckley, MS 440, (1851-1855, 2011)
- Busk family papers, MS 441, (1892-2001)
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- Noel Blakiston papers, MS 443, (1922-1986)
- Garnett family papers, MS 445, (1872-1922)
- E. W. Hermon archive, MS 446, (1914-1917, 1920s, 2007-2008)
- L. H. Myers papers, MS 447, (1895-1955)
- Leslie Stokes collection, MS 448, (1938-1970)
- Eric Williams literary papers, MS 449, (1948-1959)
- Douglas Rutherford literary archive, MS 450, (1955-1986)
- Harold Acton collection, MS 451, (1922-1980)
- Jeremy Clarke archive, MS 452, (2005-2024)
- Stone family archive, MS 496, (1850-1950)
- Alec Clunes archive, MS 509, (1927-1970)
- Robert Graves collection, MS 542, (1942-1975)
- Geoffrey Gunther papers, MS 543, (191?-1924)
- Rupert Brooke collection, MS 586, (Early 20th century)
- G. W. Headlam archive, MS 598, (1914?-1932?)
- Edward Hope Vere archive, MS 599, (1901-1924)
- Christopher Caslon archive, MS 604, (1915-1919)
- Russell Steele archive, MS 605, (1909-1918)
- Walter Severn collection, MS 608, (1878-1884)
- Winthrop Mackworth Praed and Sir George Young (3rd Baronet) collection, MS 656, (1780-1971)
- Papers of Charles Kelsall, MS 666, (1818 - 1841)
- Harold F. Andorsen archive, MS 667, (1856 - 1967)
- Vernon Dante collection, MS 668, (1891-1900)
- Grizel Hartley collection, MS 669, (1942-1991)
- Lawrence family archive, MS 670, (1870-1930)
- Caccia family archive, MS 671, (19th-20th century)
- Brian Howard archive, MS 673, (1905-1958)
- Festival of Britain papers, MS 674, (1951-1976)
- Gavin Young collection, MS 675, (1970s-2001)
- Lady Diana Cooper collection, MS 676, (1910-1986)
- Frank Ashton-Gwatkin archive, MS 677, (1851-1976)
- Robert McCrum archive, MS 678, (1953-2021)
- Moelwyn Merchant archive, MS 679, ([1913]-2000)
- John Holmstrom archive (relating to Wilfrid Blunt, Raef Payne and Jerry Jarratt), MS 680, (1924-2001)
- Moulton-Barrett archive, MS 681, ([1772-1942])
- Robert Browning and Elizabeth Barrett-Browning collection, MS 682, (1812-1889)
- Mary Coleridge and the Newbolt family collection, MS 683, (1853-1987)
- Thomas Hardy collection, MS 684, (Late 19th century - 20th century)
- Ellen Terry, Edward Gordon Craig and Edward A. Craig (EAC) collection, MS 685, (1856-2009)
- John Wethered Power archive, MS 696, (1909-1922)
- Belinda Norman-Butler archive, MS 707, (1899-2007)
- John Julius Norwich archive, MS 708, (20th century - 21st century)
- Hardy-Sparks archive, MS 710, (19th-20th century)
- Wyndham Lloyd postcard collection, MS 737, (1901-1980)
- Siegfried Sassoon collection, MS 755, (1886-1967)
- The Sitwells collection, MS 768, ([1887-1988])
- Hallam Tennyson family papers, MS 774, (1852-1928)
- Charles Beresford papers, MS 872, (20th century)
- Henry Dundas archive, MS 907, (c.1905 - 2022)
- Anne Ridler papers, MS 909, (20th century)
- Cazalet family papers, MS 917, (18th century - late 20th century)
- Hannen family archive, MS 920, (1741-2015)
- Malcolm Arnold archive, MS 921, (1828-2024)
- Hubert Parry: autograph music scores composed at Eton, MS 923, (1864-1866)
- Hugo Williams archive, MS 924, (1963-2014)
- Julia Simonne and Robert Graves collection (poems), MS 925, (1963-1975)
- Second World War papers of Sergeant Annie Gouk, MS 927, (1938-1948)
- Second World War papers of J.C. Ogle, 53rd Welsh division, principally relating to ‘Operation Overlord’, MS 928, (1944-1945)
- Second World War papers of Henry Gerson relating to Saint-Denis British Internment Camp, near Paris, MS 929, (1940-1944)
- Second World War collected ephemera, MS 930, (1939-1945)
- Elizabeth Hutchings and Belinda Norman-Butler: correspondence, MS 931, (1992-2010)
- Alan Poulton Malcolm Arnold Collection, MS 933, (c.1934-2023)
- Alexander Grant archive, MS 935, (1913-c1920)
- First World War papers of Major-General S.F. Mott, MS 937, (1917-1987)
- Robert Selwyn Pryor archive, MS 942, (1914-1918)
- Hammond archive of Peter Warlock and Bruce Blunt manuscripts, MS 943, (1916-1930)
- Loyd family archive, MS 950, (20th century)
- Papers of James Frederick Norris and Graham Walter Norris, MS 951, (c.1900 - 1933)
- A.C. Sheepshanks collection of French deeds on parchment and French Revolutionary and Napoleonic letters, MS 959, (1543-1812)
- Victor Gollancz Limited Publishers author files: A.J. Ayer: Language, Truth and Logic (1936), MS 960, (1933 - 1998)
- Papers of Cecilia Fisher, MS 968, (1889 - 1952)
- Thackeray - Ritchie family papers (Murray archive), MS 972, (1748-1986)
- Charles Edmund Macnaghten collection of Ritchie and Freshfield family letters, MS 975, (c.1891-c.1902)
- Thackeray, Ritchie and Warre-Cornish family letters, MS 976, (1837-1920)
- Thackeray and Pollock family letters, MS 977, (1847-1924)
- Jeremy Dibble edition of Hubert Parry's Piano Concerto and related papers of John James Stewart Farmer, MS 978, (1993 - 2008)
- Norman Routledge music collection, MS 980, (1922-1969)
- Michael Kadwell collection of music ephemera, MS 981, (1864-1969)
- Martin Charteris World War II papers, MS 982, (1937 - 1997)
- Design for Eton College arms by Eric Gill and related papers, MS 983, (8 Jan 1936- 14 Sep 1976)
- Collection of various bookplates of Joseph Frederick Burrell, MS 984, (19th century - 20th century)
- Felix Aprahamian Peter Warlock collection, MS 986, (1964-2001)
- Papers of Aimee Lowther, MS 987, (1895-1916)
- Alan Stevenson Nuremberg Trials collection, MS 988, (1945-1946)
- Tony Jarvis collection of royal autographs and portrait photographs, MS 989, (1679 - 1990)
Number 3 of 21 at this Level
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