MS 933 05 03
Reference code
MS 933 05 03
Title
Alan Poulton Malcolm Arnold collection: Printed/facsimile scores: Concertos
Level
File
Date
1944-2007
Extent & medium
44 scores
Content description
45 printed/facsimile scores
01. Early Horn Concerto (1944), later published as ‘Burlesque for horn and orchestra’, two large sized photocopies of manuscript and a photocopy of last two pages of the manuscript in landscape format, unsigned, n.d.
02/01. Concerto [No. 1] for Horn and Orchestra Op. 11 (June 1945) - for Charles Gregory, card and board bound cyclostyled copy of manuscript score, unsigned, dated ‘London, June 9/1945’, fragile binding
02/02. 2nd movement from Concerto for Horn and Orchestra Op. 11, arranged for horn and piano, printed, Lengnick, (1947) – fragile
02/03. Concerto No. 1 for Horn and Orchestra Op. 11 (1945) - for Charles Gregory, horn and piano reduction, printed, Lengnick (1992)
03. Concertino for flute and strings Op. 19a (2000) - for Richard Adeney, printed, spiral bound, Lengnick (2000)
04/01. Concerto for Clarinet and Strings Op. 20 (1948), arranged for clarinet and piano, manuscript copy, unsigned, undated, board and canvas binding – fragile, Lengnick Hire library
04/02. Concerto for Clarinet and Strings Op. 20, (1948) - to Frederick Thurston, printed, Lengnick (1952)
04/03. Concerto for Clarinet and Strings Op. 20, (1948), to Frederick Thurston, solo B flat clarinet part, printed [no cover], Lengnick (1952)
05/01. Concerto for piano duet and string orchestra Op. 32 (1951), for Helen Pyke and Paul Hamburger, printed facsimile of manuscript score, unsigned, dated ‘London May 15/51’, spiral bound, Lengnick Hire Library
05/02. Concerto for piano duet and strings Op. 32 (1951), piano duet part, printed, Lengnick, (1951)
06/01. Concerto for Oboe and string orchestra Op. 39 (Aug - 1952) for Léon Goossens, printed, special order edition, study score, Paterson’s (1952)
06/02. Concerto for Oboe and string orchestra Op. 39 (1952) – arrangement for oboe and piano - to Léon Goossens, printed, Paterson’s (1957)
07/01. Concerto No. 1 for flute and strings Op. 45 (1954) – to Richard Adeney, printed, spiral-bound perusal score, Paterson’s/Novello (1954)
07/02. Concerto No. 1 for flute and strings Op. 45 (1954), to Richard Adeney, printed, perusal score, Novello (1954)
07/03. Concerto [No. 1] for flute and strings Op. 45 (1954) arrangement for piano, printed facsimile of manuscript, Paterson’s/Novello (1954)
08/01. Concerto for Harmonica and orchestra Op. 46 (1954), to Larry Adler, printed miniature, Paterson’s (1954), signed by Malcolm Arnold and Larry Adler, with newspaper cuttings and programme notes pasted in, inscribed on front cover, ‘Catharine Scudamore’
08/02. Concerto for Harmonica and orchestra Op. 46 (1954), to Larry Adler, printed Paterson’s/Novello, spiral bound (1954)
09. Concerto for Organ and Orchestra Op. 47 (1954), printed facsimile copy of manuscript score, unsigned, dated ‘October 1954’, spiral bound, Paterson’s (1992)
10/01. Serenade [for guitar and strings] Op. 50 (1955), printed facsimile of manuscript score unsigned, dated ‘February 1955’, spiral bound, perusal score, Paterson/Novello (1977)
10/02. Serenade for guitar and strings Op. 50 (1955), arranged for guitar and piano -dedicated to Julian Bream, perusal score, printed, Paterson’s (1977)
11/01. Horn Concerto No. 2 Op. 58 (1956), for horn and strings - dedicated to Dennis Brain, wire bound, colour photocopy of manuscript score, signed, dated ‘December 15/1956’, Paterson’s stamp (n.d.)
11/02. Horn Concerto No. 2 Op. 58 (1956), large size photocopy of manuscript score, signed, ‘December 15/1956’, with markings in red pen
11/03. Horn Concerto No. 2 Op. 58 (1956), for horn and strings, to Dennis Brain, spiral bound, photocopy of manuscript score, signed, dated ‘December 15/1956’, Novello (n.d.), with some photocopies of alternative manuscript score pages
11/04. Horn Concerto No. 2 Op. 58 (1956), with Piano reduction by Julian Elloway printed, Paterson/Novello (1988)
11/05. Horn Concerto No. 2 Op. 58 (1956), tenor horn part, printed, Paterson’s (1988)
12/01. Guitar Concerto Op. 67 (1959), photocopy of manuscript score, full score, Paterson/Novello (1961)
12/02. Guitar Concerto Op. 67 (1959), arranged for guitar and piano (1959), printed, Paterson’s (1988)
12/03. Guitar Concerto Op. 67 (1959), printed, study score, Novello, (2007)
13. Grand Concerto Gastronomique for eater, waiter, food and large orchestra Op. 76 (1961), large size photocopy of manuscript score, signed, dated ‘November 1st/61’
14. Concerto for two pianos (3 hands) and orchestra Op. 104 (1969) – for Phyllis [Sellick] and Cyril [Smith] with affection and admiration full score, printed, Faber (1990)
15/01. Concerto for viola and chamber orchestra Op. 108 (1971) – for Roger Best and the Northern Sinfonia, full score, printed, Faber Music (1992)
15/02. Concerto for viola and chamber orchestra Op. 108 (1971) – for Roger Best and the Northern Sinfonia, piano reduction and viola part, printed, Faber Music (1980)
16/01. Flute Concerto No. 2 Op. 111 (1973), for Richard Adeney, large size, printed facsimile copy of manuscript score, signed, ‘Dublin December 8/72’, Faber (1973)
16/02. Flute Concerto No. 2 Op. 111 (1973), flute and piano reduction– for Richard Adeney, printed, (Faber 1978)
17/01. Clarinet Concerto No. 2 Op. 115 (1974) - for Benny Goodman with admiration and affection, full score, printed, Faber (1984)
17/02. Clarinet Concerto No. 2 Op. 115 (1974) - for Benny Goodman with admiration and affection, piano reduction and clarinet part, printed, Faber Music (1981)
18. Philharmonic Concerto for orchestra Op. 120 (1976), full score, printed, Faber (1985)
19/01. Concerto for Trumpet and Orchestra Op. 125 (1982), photocopy of manuscript score, signed, ‘Northampton January 21/82’
19/02. Trumpet Concerto Op. 125 (1982) – for trumpet and piano, full score, with inscription, ‘With all good wishes, from Malcolm’, printed, Faber (1982)
19/03. Trumpet Concerto Op. 125 (1982) – for trumpet and piano, printed, Faber (1983)
20/01. Concerto for recorder and orchestra Op. 133 (1988) - for Michala Petri, full score, large size, wire-bound photocopy of printed manuscript score, Faber (1992)
20/02. Concerto for recorder and orchestra Op. 133 (1988), printed Faber (1992)
21/01. Concerto for cello and orchestra (‘Shakespearean’) Op. 136 (1988) – dedicated to Julian Lloyd-Webber, large size spiral bound photocopy of manuscript score, signed, Attleborough Norfolk, 1988’, Novello perusal score (1989)
21/02. Cello Concerto Op. 136 (1989) – to Julian Lloyd-Webber, revised by David Ellis in collaboration with Sir Malcolm Arnold (2000), printed, perusal score, Novello (2001)
22. Violin Concerto Op. 140 (1988-1989), photocopy of manuscript sketches, unsigned, n.d.
01. Early Horn Concerto (1944), later published as ‘Burlesque for horn and orchestra’, two large sized photocopies of manuscript and a photocopy of last two pages of the manuscript in landscape format, unsigned, n.d.
02/01. Concerto [No. 1] for Horn and Orchestra Op. 11 (June 1945) - for Charles Gregory, card and board bound cyclostyled copy of manuscript score, unsigned, dated ‘London, June 9/1945’, fragile binding
02/02. 2nd movement from Concerto for Horn and Orchestra Op. 11, arranged for horn and piano, printed, Lengnick, (1947) – fragile
02/03. Concerto No. 1 for Horn and Orchestra Op. 11 (1945) - for Charles Gregory, horn and piano reduction, printed, Lengnick (1992)
03. Concertino for flute and strings Op. 19a (2000) - for Richard Adeney, printed, spiral bound, Lengnick (2000)
04/01. Concerto for Clarinet and Strings Op. 20 (1948), arranged for clarinet and piano, manuscript copy, unsigned, undated, board and canvas binding – fragile, Lengnick Hire library
04/02. Concerto for Clarinet and Strings Op. 20, (1948) - to Frederick Thurston, printed, Lengnick (1952)
04/03. Concerto for Clarinet and Strings Op. 20, (1948), to Frederick Thurston, solo B flat clarinet part, printed [no cover], Lengnick (1952)
05/01. Concerto for piano duet and string orchestra Op. 32 (1951), for Helen Pyke and Paul Hamburger, printed facsimile of manuscript score, unsigned, dated ‘London May 15/51’, spiral bound, Lengnick Hire Library
05/02. Concerto for piano duet and strings Op. 32 (1951), piano duet part, printed, Lengnick, (1951)
06/01. Concerto for Oboe and string orchestra Op. 39 (Aug - 1952) for Léon Goossens, printed, special order edition, study score, Paterson’s (1952)
06/02. Concerto for Oboe and string orchestra Op. 39 (1952) – arrangement for oboe and piano - to Léon Goossens, printed, Paterson’s (1957)
07/01. Concerto No. 1 for flute and strings Op. 45 (1954) – to Richard Adeney, printed, spiral-bound perusal score, Paterson’s/Novello (1954)
07/02. Concerto No. 1 for flute and strings Op. 45 (1954), to Richard Adeney, printed, perusal score, Novello (1954)
07/03. Concerto [No. 1] for flute and strings Op. 45 (1954) arrangement for piano, printed facsimile of manuscript, Paterson’s/Novello (1954)
08/01. Concerto for Harmonica and orchestra Op. 46 (1954), to Larry Adler, printed miniature, Paterson’s (1954), signed by Malcolm Arnold and Larry Adler, with newspaper cuttings and programme notes pasted in, inscribed on front cover, ‘Catharine Scudamore’
08/02. Concerto for Harmonica and orchestra Op. 46 (1954), to Larry Adler, printed Paterson’s/Novello, spiral bound (1954)
09. Concerto for Organ and Orchestra Op. 47 (1954), printed facsimile copy of manuscript score, unsigned, dated ‘October 1954’, spiral bound, Paterson’s (1992)
10/01. Serenade [for guitar and strings] Op. 50 (1955), printed facsimile of manuscript score unsigned, dated ‘February 1955’, spiral bound, perusal score, Paterson/Novello (1977)
10/02. Serenade for guitar and strings Op. 50 (1955), arranged for guitar and piano -dedicated to Julian Bream, perusal score, printed, Paterson’s (1977)
11/01. Horn Concerto No. 2 Op. 58 (1956), for horn and strings - dedicated to Dennis Brain, wire bound, colour photocopy of manuscript score, signed, dated ‘December 15/1956’, Paterson’s stamp (n.d.)
11/02. Horn Concerto No. 2 Op. 58 (1956), large size photocopy of manuscript score, signed, ‘December 15/1956’, with markings in red pen
11/03. Horn Concerto No. 2 Op. 58 (1956), for horn and strings, to Dennis Brain, spiral bound, photocopy of manuscript score, signed, dated ‘December 15/1956’, Novello (n.d.), with some photocopies of alternative manuscript score pages
11/04. Horn Concerto No. 2 Op. 58 (1956), with Piano reduction by Julian Elloway printed, Paterson/Novello (1988)
11/05. Horn Concerto No. 2 Op. 58 (1956), tenor horn part, printed, Paterson’s (1988)
12/01. Guitar Concerto Op. 67 (1959), photocopy of manuscript score, full score, Paterson/Novello (1961)
12/02. Guitar Concerto Op. 67 (1959), arranged for guitar and piano (1959), printed, Paterson’s (1988)
12/03. Guitar Concerto Op. 67 (1959), printed, study score, Novello, (2007)
13. Grand Concerto Gastronomique for eater, waiter, food and large orchestra Op. 76 (1961), large size photocopy of manuscript score, signed, dated ‘November 1st/61’
14. Concerto for two pianos (3 hands) and orchestra Op. 104 (1969) – for Phyllis [Sellick] and Cyril [Smith] with affection and admiration full score, printed, Faber (1990)
15/01. Concerto for viola and chamber orchestra Op. 108 (1971) – for Roger Best and the Northern Sinfonia, full score, printed, Faber Music (1992)
15/02. Concerto for viola and chamber orchestra Op. 108 (1971) – for Roger Best and the Northern Sinfonia, piano reduction and viola part, printed, Faber Music (1980)
16/01. Flute Concerto No. 2 Op. 111 (1973), for Richard Adeney, large size, printed facsimile copy of manuscript score, signed, ‘Dublin December 8/72’, Faber (1973)
16/02. Flute Concerto No. 2 Op. 111 (1973), flute and piano reduction– for Richard Adeney, printed, (Faber 1978)
17/01. Clarinet Concerto No. 2 Op. 115 (1974) - for Benny Goodman with admiration and affection, full score, printed, Faber (1984)
17/02. Clarinet Concerto No. 2 Op. 115 (1974) - for Benny Goodman with admiration and affection, piano reduction and clarinet part, printed, Faber Music (1981)
18. Philharmonic Concerto for orchestra Op. 120 (1976), full score, printed, Faber (1985)
19/01. Concerto for Trumpet and Orchestra Op. 125 (1982), photocopy of manuscript score, signed, ‘Northampton January 21/82’
19/02. Trumpet Concerto Op. 125 (1982) – for trumpet and piano, full score, with inscription, ‘With all good wishes, from Malcolm’, printed, Faber (1982)
19/03. Trumpet Concerto Op. 125 (1982) – for trumpet and piano, printed, Faber (1983)
20/01. Concerto for recorder and orchestra Op. 133 (1988) - for Michala Petri, full score, large size, wire-bound photocopy of printed manuscript score, Faber (1992)
20/02. Concerto for recorder and orchestra Op. 133 (1988), printed Faber (1992)
21/01. Concerto for cello and orchestra (‘Shakespearean’) Op. 136 (1988) – dedicated to Julian Lloyd-Webber, large size spiral bound photocopy of manuscript score, signed, Attleborough Norfolk, 1988’, Novello perusal score (1989)
21/02. Cello Concerto Op. 136 (1989) – to Julian Lloyd-Webber, revised by David Ellis in collaboration with Sir Malcolm Arnold (2000), printed, perusal score, Novello (2001)
22. Violin Concerto Op. 140 (1988-1989), photocopy of manuscript sketches, unsigned, n.d.
Physical characteristics
MS 933/05/03/02/01 has a fragile binding
Location of this record in the archive hierarchy
Click the hyperlinked text below for further details.
(Click here to scroll to the current record within the hierarchy)
Number 3 of 21 at this Level
Beneath this record in the archive hierarchy
None