MS 933 05 20

MS 933 05 20

Alan Poulton Malcolm Arnold Collection: Printed/facsimile scores: Arrangements of Malcolm Arnold's music by other composers

File

1938-2015

Beauty Haunts the Woods, for voice and piano (1938), arranged for voice, clarinet and piano by Paul Harris, printed, Queen’s Temple Publications (2001)

The Sound Barrier Op. 38 (1952) – a Rhapsody for Symphonic Wind Band for US Air Force - dedicated to Herb and Jo Ann Stier, arranged by Martin Ellerby, comb-bound photocopy of manuscript score, printed, n.d.

Attleborough Suite Op. 78b, [a title given in 2000 to Little Suite No. 2 for Orchestra] (1961) arranged for Wind Band by Denis Bloodworth, Novello (2000)

The Padstow Lifeboat Op. 94, March arranged by Alan Civil – photocopy of manuscript score, comb binding, unsigned, undated

Kenneth Hytch, Parasol – a musical written by Malcolm Arnold for television (1960), reconstructed by Kenneth Hytch in 1987 for a concert performance, under the guidance of the composer. Large size photocopy of manuscript score, with inscription, ‘With many thanks to Ian and Janine on their Anniversary August 7/86, love from Malcolm Arnold’

‘Don’t think it hasn’t been fun’ from Parasol, piano reduction for rehearsal

‘The face of love’ from Parasol, vocal score

Photocopies of parts from manuscript score of Parasol, annotated

‘The Other One’ from Parasol, arranged by Caryl Brahms and Ned Sherrin, copy

‘Goodbye Champagne’, from Parasol, arranged by Caryl Brahms and Ned Sherrin, copy

Photocopied book containing printed score of ‘The Other One’, ‘Goodbye Champagne’, ‘A Woman would be lost without a Man’, ‘The Face of Love’ and ‘Sleep’, from Parasol

Allegretto and Vivace (Movements from Symphony No 2), arranged for wind band by Peter Parkes, large size, printed spiral bound score (2001), Novello

Two Symphonic Pieces (from Symphony No. 5, Opus 74), arranged for wind band by Munetoshi Senoo, large size, spiral bound score (2001), Novello

Paul Harris and Emma Johnson: Concert Repertoire for Clarinet with Piano (Faber 2003) which includes ‘Policemen’s Dance’ from Sweeney Todd

Paul Harris and Sally Adams: Flute All Sorts Grades 1-3, Faber (2002) which includes ‘Policemen’s Dance’ from Sweeney Todd – a ballet

John Miller’s Trumpet Basics, Faber (2002), including ‘Sweeney Todd’ and ‘Cornish Dance’

Sally Adams, Flute Basics, Faber (2002), including No. 3 from Four Irish Dances

Sally Adams and Nigel Morley, Concert Repertoire for Flute with piano, including Allegretto 3rd movement from Flute Concerto No. 2, Faber, (2003)

Paul Harris: Trinity Repertoire Library; Clarinet All Sorts Grades 1-3, including ‘Cornish Dance’

Rinaldo and Armida Op. 49 arranged by Christopher Palmer - introduction and Pas-de-deux, large size bound photocopy of full printed score, Faber Music Library (1991)

[No Op. number], Fantasy for double bass (no date), completed by Matthew Taylor, printed, Queen’s Temple Publications (2015)

Solitaire for flute and piano, from ‘Theme for Players’, printed, Queen’s Temple Publications (2003), 3 copies

Fantasy for flute and clarinet (1960), arranged by Paul Harris, printed, Queen’s Temple Publications (2003)

Trumpet Concerto Op. 125 (1982) arranged by Tony Rickard for trumpet and brass band (1988) , large size photocopy of manuscript score

Dance Suite for Symphonic Band – arranged by Christopher Palmer – large size photocopy of score, including ‘Fanfare’ from The Three Musketeers, ‘Prelude’ from The Captain’s Paradise, ‘Dance of the Furies’ from Electra, ‘Dancing Sailors’ from You Know What Sailors Are, ‘Waltz’ from The Light of a Friendly Star and Coronation March, by Thomas Merritt, arranged by Arnold, together with a note of comments from USAF on the Dance Suite, an arrangement/compilation for symphonic wind band by Christopher Palmer in conjunction with the composer c. 1990

March from a Little Suite, arranged by Neil Richmond, photocopy of manuscript score

March Overseas, arranged by Neil Richmond, photocopy of manuscript score

Overture from The Roots of Heaven, arranged by Neil Richmond

Four Cornish Dances for orchestra Op. 91, transcribed for two pianos by David Nettle and Richard Markham (2006), printed

Five English Dances Op.33 (1951) , arranged for violin and piano by Paul Harris, Lengnick (2004), photocopy

‘The Trafalgar Day Fugue (and any other occasion)’, using main theme from The Bridge on the River Kwai, from unknown hand, n.d.